27e congrès international de la CERCIA « La corruption au cinéma »
Responsables scientifiques : Christophe Gelly (CELIS), Caroline Lardy (CHEC)
Mercredi 7 SEPTEMBRE 2022
ACCUEIL DES PARTICIPANTS /
REGISTRATION AND CONFERENCE OPENING:
9H30-10H30
10h30-12h30
PANELS
PANEL 1
Corruption and genre
Chair: Gilles MENEGALDO
- Cristelle MAURY, Corruption in Winter’s Bone (Debra Granik, 2010)
- Isabelle SCHMIDT-PITIOT, Once Upon a Time in the West (Sergio Leone, 1968), a case study for genre corruption
- Julie ASSOULY, From The Ballad of Buster Scruggs (Coen, 2018) to The French Dispatch (Anderson 2021), the episodic return of a corrupt form: anthology films
- Sven WEIDNER, Corrupt male characters in the postmodern cosmos of the Coen-Brothers
PANEL 2
Corruption and society
Chair: Mikael TOULZA
- Damien ROUSSELIÈRE, Chew bubblegum or kick ass? Carpenter’s films as thought experiments on the sociology of situated judgments
- Argyrios KELERIS, Body ideals, material degeneration and the cult of remembrance in Todd Haynes’s Superstar
- Yann ROBLOU, “With great power comes great responsibility”—how are superheroes connected to corruption?
- Vincent JAUNAS, In defense of Impurity: M. Night Shyamalan’s aesthetics of corruption
Discussion – Pause déjeuner – Buffet /
Panel debate – Lunch break (12h30-14h00)
14h00-16h00
PANELS
PANEL 3
Corruption and horror
Chair: Céline MURILLO
- Gilles MENEGALDO, Corruption, mutations et hybridation des corps dans le cinéma d’horreur dans The Thing et Prince of Darkness de John Carpenter et The Fly de David Cronenberg.
- Pablo GÓMEZ-MUÑOZ, Hunting Humans: Metaphors of Moral Corruption across National Boundaries
- Julia ECHEVERRIA, The Corruption of the Body: Black Female Zombie in The Girl with All the Gifts
- Mikaël TOULZA, “You Can’t Kill People with Voodoo, That’s Ridiculous!”: Black Women Directors’ Takes on Corrupted Representations of Louisiana Voodoo
PANEL 4 [begins 13’30]
Corruption and society
Chair: Cristelle MAURY
- Raphaëlle COSTA DE BEAUREGARD, The corrupting law of capitalism ‘Time is money’ VS the incorruptibility of Time: Stanley Kubrick’s gangster film The Killing (1956)
- Dominique SIPIERE, Du bonheur de la corruption.
- Celestino DELEYTO et María del Mar AZCONA, Cosmopolitanism as Productive Corruption: Hollywood Goes to Marseille in Stillwater
- Marine SOUBEILLE, Corruption in Dallas – J.R. Ewing and the end of the American Dream
Pause 16h00-16h30
16h30-17h30 – Conférence de / Keynote conference : Martine BEUGNET
Chairs: Christophe Gelly & Caroline Lardy
Jeudi 8 SEPTEMBRE 2022
9h00- 10h30
PANELS
PANEL 5
Corruption and the filmic form
Chair: Julia ECHEVERRIA
- Janica TOMIĆ, This is the Hell that Lars von Trier Built: the Function and Corruption of the Cinematic Tableau
- Patrick ADAMSON, Fractured Flickers (1963-4): Comic Corruptions of the Silent Screen
- Sébastien LEFAIT, Surveillance on screen: exposing the corruptibility of image regimes
PANEL 6
Bodies and corruption
Chair: Vincent JAUNAS
- Guilhem BILLAUDEL, Corrupted Bodies and Images in Space Travel: Solitude as Illusory Purity in The Martian and High Life
- Pablo CABEZA-MACUSO, Le personnage télévisuel dédoublé : le cas du « double-profané » — Corps corrompus, personnages sacrifiés, et identité-costume
- Jocelyn DUPONT, Culture, Corruption and their Post-Wildean Variations
Discussion / Panel debate – Pause (10h30-11h)
11h00-12h30 – Conférence de / Keynote conference : Tricia JENKINS
Chairs : Christophe Gelly & Caroline Lardy
Pause déjeuner-Buffet / Lunch break (12h30-14h00)
14h00-15h30
PANELS
PANEL 7
Corruption and the filmic form
Chair: Patrick ADAMSON
- Andrea VIRGINÁS, ‘Corrupting’ the Past through Mediation: Degraded, De-framed, Frozen Shared Memories in Film Narration
- German DUARTE, Negotiating reality and its simulation. Some insights on the ways technological processes of representation corrupted reality
- Martin KNUST, Corruption and Decay: Some remarks about sound and music in cinema
PANEL 8
Gender and corruption
Chair: Raphaëlle COSTA DE BEAUREGARD
- Marianne KAC-VERGNE, Can action heroines age? The return of Sarah Connor in Terminator: Dark Fate
- Anne-Marie PAQUET-DEYRIS, ‘Fallen’ Women Fighting for their Independence in a corrupt men’s world in Forbidden Hollywood Pre-Code Era Films
- Sophie CHADELLE, Corrupting the Rom Com genre on screen: a multimodal analysis of Sex and The City’s subversive discourse on the Romance genre and its audiovisual translation
Discussion / Panel debate – Pause (15h30-16h)
16h00-17h30
PANELS
PANEL 9
Political / Economic corruption
Chair: Isabelle SCHMIDT-PITIOT
- Amira Mc GIVNEY, The Roots of Corruption in The Witch: A New-England Folktale (Robert Eggers, 2015)
- Thierry CORMIER : Les nouveaux corrupteurs. Une exploitation et une histoire du cinéma alternatives — Corruption des supports, des canaux de diffusion et de l’histoire du cinéma
PANEL 10
Places of corruption
Chair: Pablo GÓMEZ-MUÑOZ
- Andrés BUESA, Corrupting the Innocent Child: Childhood, Ethics and Spectatorship
- Hadrien FONTANAUD, Mud and Flame: celebrating corruption over purity in David Rudkin and Alan Clarke’s Penda’s Fen (1974)
- Jean-François BAILLON, Decadence and Decay in Nicolas Roeg’s Don’t Look Now (1973): Venice, Abject City?
18h00-19h PROJECTION COURTS METRAGE – LA CORRUPTION
SHORT FILM SCREENING (RELATED TO THE TOPIC OF THE CONFERENCE)
Vendredi 9 SEPTEMBRE 2022
9h00- 10h30
PANELS
PANEL 11
Political / Economic corruption
Chair: Marianne KAC-VERGNE
- Zeenat SALEH, The White House- Washington Connection
- Zachary BAQUE, Operation Abolition (HUAC, 1960) et la corruption des images
- Nadine ASMAR, De New York au Caire, la corruption policière au cinéma et des personnages antagonistes au même sort
PANEL 12
Corruption and genre [3]
Chair: Julie ASSOULY
- Nicole CLOAREC, Occupational hazards or the corrupting power of genre movies in Berberian Sound Studio (Peter Strickland, 2012) and Censor (Prano Bailey-Bond, 2021)
- Céline MURILLO, Corrupt images and characters: exposing violence in G-Man (Beth B, Scott B, 1978)
Discussion / Panel debate – Pause (10h30-11h)
11h00-12h30 ASSEMBLEE GENERALE DE LA SERCIA / SERCIA GENERAL ASSEMBLY